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Diane
Johnson's
Review by
John Baxter
Author of We'll Always Have Paris
Of the
many and growing number of expatriate writers about Paris, Diane Johnson
is incontrovertibly the kindest. Not only does she absolve of blame
the multitude of foreign visitors who throng her adopted city (and mine);
she even forgives the French, finding their punctilio endearing and
their pride in France's cultural accomplishments entirely justified.
More than any books written since the days of Edith Wharton and Henry
James, her trilogy of novels LE DIVORCE, LE MARIAGE and L'AFFAIRE define
the hazy intellectual and cultural frontier between the modern French
and those foreign converts to their way of life who decide to live here.
In INTO A PARIS QUARTIER, subtitled REINE MARGOT'S
CHAPEL AND OTHER HAUNTS OF SAINT GERMAIN, Diane, who
divides her time between Paris and San Francisco, offers a glimpse of
the district of St German des Pres on the left bank of the Seine where
she and her husband, Doctor John Murray, make their French home.
Paris is drenched in history, nowhere more so than in that area defined
by Rue Bonaparte, Rue du Bac, Rue des Saint Peres and the other narrow
streets sloping gently uphill from the Seine opposite the Louvre to
collide, by the church of St Germain des Pres and the café of
Les Deux Magots, with the most imperial of Baron Haussmann's mid-19th
century grandes boulevardes, the tree-lined Boulevard Saint Germain.
An enthusiastic amateur sleuth, Diane can't pass a scrap of 17th century
wall or the ghost of a bricked-up doorway without quizzing locals about
their provenance, then disappearing into France's National Library,
the Bibliotheque Nationale, to ferret out more information. What she
finds is usually astonishing. Numerous
version of Dumas's THE THREE MUSKETEERS have familiarised us with the
fiery young Gascon D'Artagnan who, carrying nothing but his father's
sword, arrives in Paris and is immediately embroiled in duels with Athos,
Porthos and Aramis, the three Musketeers who become his lifelong friends.
It's a surprise to learn from this book that D'Artagnan actually lived,
and,
moreover, lived on Rue de Fossoyeurs, now Rue Servandoni, the narrow
street that runs from the Luxembourg Gardens to the wall of the church
of St.
Sulpice (and is home to one of the Left Bank's most agreeable and popular
local restaurants, Au Bon Saint Pourcain.)
Anyone who saw Isabelle Adjani's ferocious performance as Queen Margot
in Patrice Chereau's LA REINE MARGOT must wonder how close Adjani came
to the original, and how well the film recreated the enmity between
Catholics and Protestant Huguenots that erupted in the slaughter of
Saint Bartholomew's Day. Diane wonders if many of the excesses attributed
to Margot by history (and repeated in the film) aren't just part of
a
traditional fantasy that all queens have secret and libidinous private
lives, and a tendency to execute lovers who displease them. Look at
Queen Elizabeth I
and the Earl of Essex, for instance.
Citing also Turandot in Puccini's opera and the lover of Julien Sorel
in Stendahl's THE RED AND THE BLACK who preserves his head after death,
she goes on to muse “Perhaps it was some special French fascination
with heads that led them to invent the guillotine”, then to track
down the Cour du Commerce off Rue St. Andre des Arts where Dr. Guillotin
conducted his first experiments (on sheep, by the way), and where marks
in
the stone still indicate the actual spot this historic piece of research
took place.
One of this delightful and informative book's most engaging qualities
is Diane's ability to bridge the gap between pre-Revolutionary Paris
and our own time. Ernest Hemingway, Henry Miller and Nathalie Clifford
Barney, Paris's ranking lesbian between the wars, all made their homes
in this corner of Paris, and, consciously or unconsciously, replicated
many of the
diversions and depravities of their historical antecedents. Picasso
kept his studio on Rue des Grands Augustins and painted his agitprop
masterpiece
Guernica there, while, in a café on Rue Jacob, within sight of
Nathalie Barney's temple of Sapphic love, Ernest Hemingway and Scott
Fitzgerald had the famous encounter, described in A MOVEABLE FEAST,
where Scott demanded that Hemingway adjudicate on Zelda's claim
that his penis was too short. About all these people, French or foreign,
Diane is generous and understanding.
“Finally,” she writes, “I cannot escape the idea that
St. Germain des Pres,
French as it is, is also ourselves, the foreigners who have always been
here. And, if you have always been here, can you be foreign? St Germain
des Pres, in extending its welcome, seems to know that its strangers
are part of the whole.”
INTO A PARIS QUARTIER is an absorbing study and an indispensable guide,
on no account to be omitted from the luggage of any visitor who really
wishes to understand Paris.
John Baxter
John
Baxter is the author of over 40 books including two critically acclaimed
volumes of memoir, A POUND OF PAPER and the brand new WE'LL ALWAYS HAVE
PARIS: SEX AND LOVE IN THE CITY OF LIGHT.
Enjoy an Evening with Diane Johnson,
July 7th, at the Hotel Rex, San Francisco.
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